Journal
Notes from the studio.
Process writing, material studies and field observations from Riga.
Collector Guide · June 2026
Gold, Silver, Patina or White: Choosing a Sculpture Finish
A practical guide to the four Sculpture Bay finishes and how each responds to light, architecture and the objects already in a room.
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Works · June 2026
Saint Michael the Archangel in Sculptural Relief
A closer look at Sculpture Bay’s Saint Michael wall relief, its “Quis ut Deus?” inscription and its Gothic and Baroque visual references.
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Collector Guide · June 2026
How to Care for a Hand-Painted Sculpture
Simple guidance for dusting, handling and displaying a hand-painted sculpture so its surface remains protected over time.
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The Artist · June 2026
From Master Craftsman Training to a Riga Sculpture Studio
The training, discipline and personal handwork behind Sculpture Bay, from a Latvian craftsmen school to an independent studio practice.
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Studio Practice · June 2026
Why Every Sculpture Is Hand-Painted
Inside the Sculpture Bay studio in Riga, where every sculptural surface is built and painted by the artist rather than produced as a uniform factory finish.
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Inspiration · May 2026
Classical Antiquity in Contemporary Sculpture
How Sculpture Bay translates the visual language of ancient busts, wings, masks and reliefs into contemporary objects for modern interiors.
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Collector Guide · May 2026
How to Display Wall Sculpture at Home
A practical guide to height, lighting, spacing and secure installation for sculptural wings, animal heads and reliefs.
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Collector Guide · May 2026
How to Begin a Personal Sculpture Collection
A thoughtful approach to choosing sculpture for a private collection: start with attention, ask practical questions and buy what continues to hold your gaze.
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